"Crowd Funding" (also known as crowd financing, equity crowdfunding, or group funding) describes a group effort by supporters of a project who network and pool their money, usually via a website/Internet to fund efforts initiated by other people or organizations.
Crowdfunding
has arguably revolutionized the way in which low budget films are sourced, financed
and supported.
The two
biggest crowdfunding sites are Kickstarter and Indiegogo. Kickstarter uses the “all or nothing” funding
model, whereby projects receive money pledged only if their total fundraising
goals are met. Indiegogo offers two
different options: 1. the same “all or
nothing” model or 2. “Flexible Funding”
campaign that allows users to keep money raised, irrespective of whether their
funding goals are met. There
are many other crowdfunding sources available.
These include sites such as Pozible, Peerbackers, RocketHub,
Speed&Spark and USAprojects (as examples). Though, Kickstarter is the
leader in the pack.
There is
little doubt that crowdfunding works. To
date, Kickstarter has successfully funded over 9,000 films.
Even
more, these projects are noteworthy in their own right. The short documentary “Inocente” became the first
Kickstarter-funded film to win an Oscar.
Other Kickstarter-funded films nominated for Oscars include the live
action short “Buzkashi Boys” and the documentary shorts “Kings Point,”
“Incident in New Baghdad,” “Sun Come Up” and “Barber of Birmingham.”
Recently,
Rob Thomas’ “Veronica Mars” Kickstarter campaign shattered Kickstarter records
when it raised $1 million in just four hours and 24 minutes, and $2 million in
10 hours. At the time of this writing, over $3.7 million
has been pledged by more than 56,500 people.
These crowdfunding
sites generally operate on a reward basis. Prospective supporters can pledge money flat
out, or they can give money in exchange for pre-determined non-monetary rewards.
These rewards may include items such as
DVDs, signed movie posters or scripts, tickets to red carpet
premieres, Executive Producer credits and the like.
A key
point is that, under the current crowdfunding model, potential supporter will
never see or should expect a financial return on their investments. Their financial contributions do not buy them
any ownership in a film, any right to recoup what they've invested, or any
right to share in the profits that a film may make.
Crowdfunding
participants do not own any equity in the project. So if it ends up doing very
well, the producers and stars also stand to earn a decent amount of money since
there will be no need to repay the production and investment costs.
An
additional option to raise funds through the Internet will be available via
Obama's JOBS (Jumpstart Our Business
Startups) Act. The JOBS Act is set to
fundamentally change how crowdfunding works by allowing sites like Kickstarter
and Indiegogo to sell to its members equity – or ownership - stakes in
films. This is known as “equity
crowdfunding.”
President
Obama signed the JOBS Act into law on April 5, 2012, and at Congress’ instruction,
the Securities and Exchange Commission (SEC) is monitoring the new changes
before they take effect, which is expected to occur at the end of 2013.
Before
the JOBS Act, filmmakers were prohibited from publicly soliciting, via calls,
email blasts, or websites, for funds in exchange for equity. Additionally, they were only allowed to take
such investments from accredited (generally meaning wealthy investors), or up
to $1 million from unaccredited investors they had a "substantive" (such
as friends and family) relationship with.
The JOBS
Act lifts the ban on general solicitation and advertising, and allows, with certain
protective guidelines, a filmmaker to take funds in exchange for equity from
anyone, regardless of their financial status or their relationship to the
filmmaker.
You
should work with a experienced entertainment/securities attorney to make sure
you are properly within the guidelines of the JOBS Act.
With the
combination of Crowdfunding and the JOBS Act, filmmakers and producers have a
better chance to build a project to success and independently control its
fate.
(c) Entertainment Law Partners and Tifanie Jodeh, Esq.
Tifanie Jodeh grants column recipients permission to copy and distribute this column and distribute it free of charge, provided that copies are distributed for educational and non-profit use, no changes or revisions are made, all copies clearly attribute the article to its author and include its copyright notice.
DISCLAIMER: Readers should consult with a lawyer before solely relying on any information contained herein.
(c) Entertainment Law Partners and Tifanie Jodeh, Esq.
Tifanie Jodeh grants column recipients permission to copy and distribute this column and distribute it free of charge, provided that copies are distributed for educational and non-profit use, no changes or revisions are made, all copies clearly attribute the article to its author and include its copyright notice.
DISCLAIMER: Readers should consult with a lawyer before solely relying on any information contained herein.
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